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Klaus Doldinger and Passport

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I remember trying several Passport records in the late 1970s: they were often in the "cut out" bins in the record stores that I haunted almost daily. These albums always had very interesting, professional-looking album covers. Once I tried one, I was hooked: I started buying more of them. Though no single album stands out as a favorite, it always seemed that each album had two or three songs that were impressive enough to keep me trying more, always hoping that the next album would be "that masterpiece" that I'd been missing--the one on which band-leader and jazz veteran Klaus Doldinger and his bandmates got everything right on every track.  PASSPORT  Passport - Doldinger  (1971) Klaus Doldinger's first release using the "Passport" moniker. Unfortunately, he would have to come up with a whole new lineup of musicians in order to produce his next album. Line-up / Musicians: - Klaus Doldinger / alto, soprano & tenor saxes, keyboards - Jimmy Jackso...
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My Favorite Jazz-Rock Fusion Musicians from the "Classic Era": The Bass Players

(In some semblance of order:) - Anthony Jackson / Billy Paul, MFSB, Buddy Rich, The O'Jays, Funk Factory, Norman Connors, Roberta Flack, Chick Corea, Al Di Meola, Lalo Schifrin, Harvey Mason, Lee Ritenour, Joe Farrell, Michal Urbaniak, Steve Khan, Jun Fukamachi, David Spinozza, Earl Klugh, Eric Gale, Chaka Khan, Teo Macero, Steely Dan, Donald Fagen, Terumasa Hino, Sadao Watanabe, Grover Washington, Jr., Gato Barbieri, Masaru Imada, George Benson, Tania Maria, Peabo Bryson, Hiromi Uehara - Chuck Rainey / King Curtis, The Rascals, Hubert Laws, Yusef Lateef, Aretha Franklin, Gene Ammons, Larry Coryell, Roberta Flack, Quincy Jones, Gato Barbieri, The Voices Of East Harlem, Steely Dan - Carole Kaye (The Wrecking Crew) - James Jamerson / Motown's Funk Brothers - Ralphe Armstrong / Mahavishnu Orchestra (second incarnation), Jean-Luc Ponty, Michael Henderson -  John Lee  / Chris Hinze, Gerry Brown, Toto Blanke -  Roy Babbington  / Nucleus/Ian Carr/Chris Spedding, The So...
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Carlos Santana

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Mexican-born Carlos had gravitated to San Francisco with the rise of the "hippie" culture in the mid-Sixties. There, in 1966, he formed a band with three other musicians, eventually calling themselves the Santana Blues Band. By January of 1967 the band had built up enough notoriety and following performing in and around the Bay Area that promoter Bill Graham recruited them to audition for a regular appearance schedule at his Fillmore Auditorium--for which they were hired. In June Graham fired the expanding band from the Fillmore gig for attendance irregularities--which prompted Carlos to fire everybody in the band in order to start from scratch--to hire "serious musicians" who would take their commitment and responsibilities more seriously.      The newly revamped Santana band was helped to secure a higher-profile place in the performance order for the Woodstock Music & Art Fair in the beginning of August, 1969. Their now-legendary performance (well-documented i...
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